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| Sax's playing skills |
The correct understanding of the principles of pronunciation to know Sax
Want to control good Sax tone must first understand the principle of its pronunciation, the start of course to start from the vibration sound, reed flute head vibration and sound produced by driving just to sound, and then move by each sound hole opening to control the frequency and acoustic vibration, to send out musical sound objective. Sax is to say this instrument is simply a vibration sounder, we call the play is to control its motion to achieve the purpose of send out music. Master the correct pronunciation method of Sax
Many of Sax's players mouth type pure understanding into the mouth and put into a certain form to play, this is indeed true, but I hope you can understand the truth. When playing Sax's mouth plainly laid out is actually a change of the internal nozzle type a representation. The fundamental aim to present this mouth type or to changes in the environment of the oral cavity:
Chin chin to flatten requirements: first, in addition to make lip thinning. The classical Sax playing, flat and thin lips more suitable for playing classical Sax. Because of the lower lip is more sensitive, more benefits for control source. The reed is one of the two direct sound, direct contact with lips of source will tone more direct impact, flat and thin lips when playing a Sax reaction and controls sound more rapid change, so more attention in Chin leveled playing classical time. Export wheel muscle tightening: will show a relatively round after round space within the oral cavity mouth muscle to tighten, then flow through the space gas is very average, so the sound is very warm, very gentle smile like to tighten the two corners of the mouth: to do so after the oral cavity will show a to receive form, mouth the performance of this make you sound more compact, more flexible voice
Tongue: in the control of sound, mouth cavity plays a role of very large, a main form of the control port cavity shape is. In this one, the position of your tongue of course is also very important. When playing Alto District, the position of your tongue should be flat on the lower jaw in the. When in the bottom note register play, need more broad smooth air flow, so when the tongue sole mouth cavity should be as far as possible, so that the area is increased, the airflow as smooth.
Secondly, should understand the motive power of the voice of Sax, in Sax's play, the gas is very important. In Sax playing in the breathing is very important. Flavor: simple said is the use of respiratory motion normal flow, use of the exhaust gases produced by power. The air stream is the driving force behind the Sax shock sound, so the control for the air stream and the mouth is relative priority among priorities. Its urgent delay directly affect the quality of the sound. There are two kinds of assessment of atmosphere pressure, first is the size of the flow control, mainly is the concentration change of voice. Another is the gas emergency, the main control volume. Airflow urgent delay is well understood, continued, tried to blow air nature is very short, the voice is very big. The provincial gas blowing sound natural small. But many beginners and didn't notice it changes the second condition is the oral cavity pressure. This is why many novice people when playing the voice is very big, but still very casual reasons. A beginner who only know blindly will be blowing out, while ignoring the use of it, so a lot of that person is that using reed thin still find it hard to blow. The trumpet of the people know the trumpet to coax blow. That is to say the pressure you have to control your mouth when playing. Many beginners who just started blowing is not clear abdominal breathing, squeezed out by pulmonary gas not only is not enough, and in particular the impetuous. Although a very large volume, but like a water drop shape, big big body small tail. After using thoracic abdominal breathing after the pressure and density to control breath abdominal stable contraction and expansion is not only the voice will become strong, but it will be as long as the thin water, the same amount of gas if do freely word length will increase many times. And the quality of the sound will have a qualitative leap.
To understand the occurrence and the original motive principle after Sax will be learning how to control pressure. Control pressure is actually very simple, is to use abdominal breathing control, pressure is. Classical performer most generally requirements within the oral air pressure is relatively high, so the flute head lights their very small, very thick reed. In fact, they pursue is very strong tone. In the air pressure is much greater under the action of the reed, relatively thin even excessive vibration still can not achieve the desired flexibility. It requires the reed vibration greater flexibility to support. Just as the ball point pen with a few hairs coarse degree of spring, spring train with the wrist thick as. In the process of playing, lung, abdominal muscles in control of tracheal, pressure in the mouth should be the same as a whole. As the vocalist control breathing tube to control sax. That is to say you will feel is singing when playing Sax, in control of their vocal cords, rather than playing something outside the body. Part of a musical instrument is the body.
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